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Chloé Zhao was the second lady to ever win an Oscar for Finest Director, for her 2020 movie “Nomadland.” After taking a large flip to create the Marvel supernatural epic “Eternals,” Zhao has taken one other intriguing change of path with “Hamnet,” primarily based on Maggie O’Farrell’s novel about how William Shakespeare coped with the dying of his solely son. In dialog with the New Yorker employees author Michael Schulman, Zhao discusses the function that nature performs in her filmmaking, from the American West to the forests of Britain; the method of adapting manga to movie; and the way neurodivergence informs her inventive course of.
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